My Normandy series is published in the September 2017 issue of the Italian magazine, Internazionale.


As part of my continuing study of Urban Parks, the Guardian Weekend published a series shot in Britain alongside an article by .

You can view the feature online here, or download a pdf here.


I have a new series of photographs published in the April 2016 issue of National Geographic Magazine, alongside an article by Ken Otterbourg: ‘How Urban Parks Are Bringing Nature Close to Home’

My photographic narrative offers a timeline of urban parks beginning in 1660, when St. James’s Park in London was made available to the public, up to the present day. It illustrates the evolving nature of urban parks over time and the philosophies behind them, reflecting the cultural history and social values of their origin. It includes photographs of urban parks in London, Barcelona, Katowice, San Francisco, New York, Houston, Seoul and Toronto.

You can see my photographs here and read the feature online here.

Photographs from my We English series are included in the current issue of IL Magazine in Italy, the monthly news magazine of Italian financial newspaper, along with a new image for the cover. The photographs accompany an article entitled ‘Please Don’t Go’ discussing the upcoming referendum on British membership of the EU.

You can download a pdf of the article here.

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My National Property series is featured in the current issue of South Korea Monthly Photography, alongside an interview and profile.

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Image above: Red Road flats, Balornock, Glasgow, Scotland, June 2014.
A notorious, now partially demolished, complex of high-rise flats. Built in the 1960s, the flats were intended to house almost 5,000 people as part of an attempt to ease overcrowding and combat slum conditions. The six remaining blocks will be brought down in a one-off demolition in late 2015.

As new sustainable development goals are announced to tackle poverty, inequality and climate change, 10 photographers were chosen by Action/2015 to offer their perspectives on equality, with subjects ranging from the Awá tribe in Brazil to factory workers in Wisconsin.

Representing Britain, my three selected photographs examine the way in which the landscape can become a site of unease, a place where ideas of nationhood and what it means to be British are played out as diverse social groups inhabit and shape shared public spaces. My images for Action/2015 are my attempt to explore ideas of race equality in Britain and question how our often paradoxical attitude to immigration is played out.

You can see the works of all 10 photographs, and read more about the project, in The Guardian.

Image above: Refugee Tales walk, Tatsfield, North Downs, England, June 2015.
RefugeeTales organises walks in solidarity with refugees and detainees, aimed at ending indefinite detention of immigrants in the UK.

You can view more press coverage here –






Image above: Wastwater, Wasdale, Cumbria, England, July 2014.
Teenage girls, on holiday from their home in Slough, have turned away from the sublime view to gather around the screen of a mobile phone.

Today’s FT Weekend Magazine profile my news series of photographs, National Property, with an introduction written by Stephen Daniels.

Read it here or download the full spread here.



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An interview and selection of my work published in the May 2015 issue of Von Magazine, download a pdf here.

Here’s a few sample spreads….

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I’ve got work featured in this new publication Generation ’74, which profiles 11 European Photographers born in 1974. It is officially launching this weekend at the Vilnius International Book Fair.

Photographers: Simon Roberts (UK), Nick Hannes (Belgium), Kirill Golovchenko (Ukraine/Germany), Przemyslaw Pokrycki (Poland), Tomáš Pospěch (Czech Republic), Mindaugas Kavaliauskas (Lithuania), Vitus Saloshanka (Belarus/Germany), Gintaras Česonis (Lithuania), Borut Peterlin (Slovenia), Pekka Niittyvirta (Finland), Davide Monteleone (Italy).

From the publisher: Introductory texts of the book lead the reader from the idea of the joint project of the 74-ers generation in European photography to revealing their similarities, differences and unique features. Every photographer’s work is presented in slots of 10 to 12 pages that start with a picture of childhood. The sequencing of photographers in the book is based on their birth date in 1974. The book ends with questions by Irina Chmyreva and every photographers’ answers to them which help reveal individual roads photography through the labyrinths of the time rich in transformations.

Order the book here.

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Editors Ángel Luis González (Spain/Ireland), Irina Chmyreva (Russia). Assistant editor Claudi Nir (Germany)
Design and layout Ángel Luis González
Texts: Mindaugas Kavaliauskas (Lithuania), Irina Chmyreva (Russia)
Print run 500
First Edition 2015

ISBN 978-609-8032-10-9
UDK 77.04(4)(084)

168 pages, Hardcover
Dimensions: 30,7 cm (height) x 24 cm (width) x 2,4 cm (spine depth)
Weight 1200 g.

Published by Kaunas Photo festival


Typhoon Haiyan (or Yolanda as it’s known locally) wreaked havoc across much of the central Philippines. In total, more than 8,000 people were killed, and more than four million people were forced from their homes.

In the short term, the typhoon left more than 14.1 million people in need of immediate, life-saving assistance. But it also pushed millions of poor people further into poverty and debt. Rice crops, coconut trees and fishing boats were wiped out, leaving people struggling to grow food and earn an income.

Over the past year I’ve been collaborating with Oxfam and The Guardian to create a series of landscape photographs which show the changes taking place on the ground after such a devastating natural disaster.

The results were published in the Guardian Weekend Magazine on 1st November 2014 (below) along with an article by Kate Hodal. You can view the feature online here as well as see the landscape photograph transitions.

You can also download a pdf of the spread here.