The exhibition is curated by Marianne Kapfer, Berlin.
I have several prints included in this group exhibition at Side Gallery in Newcastle.
Some of this country’s most compelling documentary photography has been about the North of England. Explore the role it plays – both as conversation with communities and arguments with power – in this exhibition of major historical and contemporary photography. Drawing on Side Gallery’s own extraordinary collections as well as other key works, you’ll delve into a tradition that continues to shape perceptions of the wider North.
Bringing together contemporary and historical representations of Blackpool’s piers, Neither Land nor Sea, documents the enduring appeal of the architecture, atmosphere and activity of these Seaside structures.
Alongside paintings and photographic works from the Grundy’s Collection, a series of images by 19th Century, Blackpool-based photographer, Albert Eden, will also be exhibited. Printed from glass slides; part of Blackpool Council’s Heritage Collections, these images will be shown alongside a selection of work from photographers based in, or with links to Blackpool and the Fylde Coast, for whom Blackpool’s piers are a frequent subject.
Featuring works by; Albert Eden, H. Burrell, Joseph Conrad Morley, Thomas Huson, Simon Roberts, Linzi Cason, Karl Child, Yannick Dixon, Claire Griffiths, Dawn Mander, Jill Reidy, Richard Jon and Kate Yates.
You can read a review of the exhibition in Corridor 8 HERE.
Image: H. Burrell Pavilion Fire, North Pier 1921.
EVENTS
Saturday 14 April, 3pm – 5pm: Neither Land nor Sea, Artists’ Talk
Saturday 9 June, (time tbc): Blackpool North Pier, Tour and Talk
Saturday 16 June, 3pm – 5pm: The Social History of Blackpool’s Piers, an Illustrated Talk by Tony Sharkey
All events are FREE and will take place at the Grundy apart from the Blackpool North Pier, Tour and Talk. Please contact the Grundy or see our website for further information about any of these events
Bben Drauf – On Top: Four photographic perspectives with Bernd & Hilla Becher, Matthias Koch, Simon Roberts and Peter Hebeisen at Photobastei in Zurich.
Runs from 19 April 2018 to 03. June 2018.
“On top” stands for an elevated position as a working method and as a photographic perspective.The exhibition presents four such positions – all landscape shots from the point of view of an elevated viewpoint: icons of industrial photography by Bernd & Hilla Becher, pictures of the Atlantic Wall of her master student Matthias Koch, “European battlefields” by Swiss Peter Hebeisen and “Sight Sacralization: (Re) framing Switzerland” by renowned English photographer Simon Roberts. In addition, the artists use photography as a medium of documentation and reflection. They show places that are historical or meaningful.
Here is a link to the exhibition: http://www.photobastei.ch/exhibition-details/415
Facebook: https://www.facebook.com/events/156905301668494/
Photo: Detail from Brighton Beach, 2007
Opening in March 2018, The Great British Seaside: Photography from the 1960s to the present is a major new exhibition exploring Britain’s relationship with the seaside through the lenses of the nation’s best loved photographers, Martin Parr, Tony Ray-Jones, David Hurn and Simon Roberts.
Many of us in Britain look back with fondness on memories of paddles in the sea and picnics on the promenade. Yet the seaside can also be a place of faded glory and acute deprivation. These tensions have provided fertile ground for documentary photographers who have sought to capture the ambiguities and eccentricities that define a day at the British seaside.
Read an article in The British Journal of Photography about the show, Celebrating the seaside at the National Maritime Museum.
Discover the lives and careers of Martin Parr, Tony Ray-Jones, David Hurn, and Simon Roberts and hear in their own words what draws them to the seaside, Photographers at the seaside.
Buy the accompanying book here, The Great British Seaside: Photography from the 1960s to the Present. Published to accompany the 2018 National Maritime Museum exhibition The Great British Seaside: Photography from the 1960s to the Present, this book showcases over 100 photographs, including material from each of the photographers’ archival collections, newly commissioned works, and never-before-seen images.
Flowers Gallery is pleased to present the 35th edition of the annual Small is Beautiful exhibition, which will take place at the Cork Street gallery. Small is Beautiful was first established at Flowers Gallery in 1974, inviting selected contemporary artists working in any media to present works with a fixed economy of scale, each piece measuring no more than 7 x 9 inches.
On display and Available Online will be works by more than 100 artists, offering a rare opportunity to purchase smaller pieces by internationally recognised names and discover new talents working across a range of media.
The works from Small is Beautiful are now available to purchase from Flowers Gallery’s online store: www.flowersgallery.com/shop.
An exhibition of work by Fiona Struengmann, Giacomo Bonfante, Mirko Aretini and Simon Roberts.
Galleria Ramo is pleased to participate as a commercial ‘project space’ in Lugano during this year’s Bi Biennale dell’immagine with a collective of local and international artists spanning from photography to video art.
In conjunction to the theme of the biennale, Città Divise / Città Plurali, Galleria Ramo presents a subplot, il nostalgico e il nuovo, exploring the nostalgia of the old cities and the continual development of new urban environment. Acting as storytellers like the ‘new topographic’ photographers of the 70’s, the emerging artists exhibited capture a nostalgic moment from a recent or further-a-foot past and contextualise it with an intervention from the present day. Creating works of art that generate a new form of visual vocabulary and grammar that differentiates itself from Susan Sontag’s or Erroll Morris’ feteshistic understanding of images as objects or things-in-themselves. Therefore creating a contemporary lexicon all for themselves.
Special thanks to MC2 Gallery, Biennale dell’Immagine di Chiasso and Artelier.
“Gradually fading away”, Piazza di S. Pietro, 1954
Rome Commission – “Gradually fading away” Piazza di S. Pietro, 1954 (2016)
Image: Detail of ‘South Downs Way, East Sussex, 2007’ from the series, We English
British Landscape and the Imagination: 1970s to Now
I have several pieces included in this group show, an Arts Council Collection National Partner Exhibition running from 30 SEP – 21 JAN 2018.
This major survey exhibition focuses on artists who have shaped our understanding of the British landscape and its relationship to identity, place and time. Exploring how artists interpret urban and rural landscape through the lens of their own cultural, political or spiritual ideologies, the exhibition reveals the inherent tensions between landscape represented as a transcendental or spiritual place, and one rooted in social and political histories.
Though primarily photography, A Green and Pleasant Land includes film, painting and sculpture by over 50 artists, illustrating the various concerns and approaches to landscape pursued by artists from the 1970s to now.
Artists included in the exhibition: Keith Arnatt, Gerry Badger, Craig Barker, John Blakemore, Henry Bond and Liam Gillick, Paul Caponigro, Thomas Joshua Cooper, John Davies, Susan Derges, Mark Edwards, Anna Fox, Melanie Friend, Hamish Fulton, Fay Godwin, Andy Goldsworthy, Paul Graham, Mishka Henner, Paul Hill, Robert Judges, Angela Kelly, Chris Killip, John Kippin, Karen Knorr, Ian Macdonald, Ron McCormick, Mary McIntyre, Peter Mitchell, Raymond Moore, John Myers, Martin Parr, Mike Perry, Ingrid Pollard, Mark Power, Paul Reas, Emily Richardson, Ben Rivers, Simon Roberts, Paul Seawright, Andy Sewell, Theo Simpson, Graham Smith, Jem Southam, Jo Spence, John Stezaker, Paddy Summerfield, The Caravan Gallery, Chris Wainwright, Patrick Ward, Clare Woods and Donovan Wylie.
http://www.townereastbourne.org.uk/exhibition/a-green-and-pleasant-land/
Image: Karl Hugo Schmölz © Archiv Wim Cox
A series of my works in the Art Collection Deutsche Börse will be included in the group exhibition, “Work & Leisure” which will be exhibited in The Cube, Eschborn, Germany.
Dates: 12 May to 8 September 2017
The exhibition “Work & Leisure” devotes itself to the two living environments which most impact everyday human life. The displayed photographs cover a broad range of different working environments and conditions that dominate workers’ rhythm of life. This ranges from images of Brazilian mine workers in the works of Sebastião Salgado and surface mining areas in the former German Democratic Republic by Inge Rambow to Andreas Gursky’s trading floors of international stock exchanges and Candida Höfer’s images of library reading halls. Set against these workplace images, the exhibition shows photographs depicting recreational activities and diversion, recounting the places and rituals sought out to find regeneration. This can seem somewhat bizarre in the works of Martin Parr and Jürgen Nefzger, while the works of Lucas Foglia and Simon Roberts tell of where the quest for leisure in the vastness of nature can lead. The central theme of the exhibition is therefore the search for identity and freedom of the individual in everyday life, covering various periods, regions and cultures.
With more than 100 photographs by 28 artists of the Art Collection Deutsche Börse, “Work & Leisure” offers a multifaceted artistic insight into the places we spend a large part of our lifetime in, which in turn makes them highly relevant, to society as a whole as well as to the private realm of the individual.
The exhibition is curated by Anne-Marie Beckmann, Sebastian Knoll and Annekathrin Müller.
To sign up for a tour, please visit: http://bit.ly/2pezN2M
You can find more about the Collection here: https://www.deutscheboersephotographyfoundation.org/en/collect/artists.php
A series of my photographs made for the Rome Commission are included in the group exhibition Colosseo Un’Icona on show at the Colosseum in Rome.
For more information about visiting: http://www.coopculture.it/en/colosseo-e-shop.cfm
Blurb-
The ambulatory of the second order of the Flavian Amphitheatre will host the exhibition entitled “Colosseum. Icon “, curated by Rossella Rea, Serena Romano and Richard Santangeli Valenzani , with exhibition design by Francesco Cellini .
For the first time the Colosseum is told in an exhibition that will trace the long and intense life of the site over the centuries up to the present day.
The exhibition is divided into six sections arranged in chronological order, through which we will highlight the historical and cultural influence of the amphitheater, which is found in the most diverse: from painting to restoration, from architecture to urban planning, from the show literature, sociology and politics.
Over time, the monument has become the symbol par excellence of eternity and power of civilization and culture. Even today, the attention of the international news, the Colosseum is present in the collective imagination not only of Italian: his myth continues.
The exhibition is promoted by the Superintendence for the Colosseum and the central archaeological area of Rome, with Electa. It ‘also accompanied by volume The Colosseum Book and will follow the catalog, both published by Electa.
The alphabet is reinvented in this display of critically acclaimed photographers exploring new notions of the age-old teaching tool for children – the alphabet book. I is for… Imagine, N is for… Now, W is for…Who, What, Where, Why?
The exhibition brings together a collection of international photography heroes and acclaimed photographers from various walks of life. Among the 26 artists are Martin Parr, Nan Goldin, Wolfgang Tillmans, Alec Soth, Simon Roberts, Peter Lindbergh and Sebastiao Salgado.
This display is based on a book recently published by Berlin-based publishing house Tarzipan Books.
More information here:
http://www.vam.ac.uk/moc/exhibitions/abc-photography/