Futureland Now: reflections on the post-industrial landscape, featuring the photographic and lens-based work of John Kippin and Chris Wainwright at the Laing Art Gallery until Sunday 20 January 2013.
An exhibition of We English will be on show at the Phos cultural centre in Torino, Italy from 31st January to 1st March 2013.
Join us for the opening on January 31st 2013, 6.30 pm.
Please see the centre’s website for more details- http://www.phosfotografia.com/en/event/we-english/
An exhibition of Pierdom, curated by Claudio Composti, will be on show at MC2 Gallery in Milan, Italy, from 30 January 2013 – 22 February 2013. A small selection of
prints from XXX Olympiad will also be exhibited.
For more information, visit the gallery’s website here.
An associated exhibition of We English prints will be on show during the same period at Phos cultural centre in Torino, Italy. For details visit their website here.
The opening of We English and Pierdom at 4RT Contemporary in Lausanne.
Exhibition opens at 4RT Contemporary this Thursday As an active member of EFMD and EIASM CBS taps into large European networks of business school communities, sharing knowledge on school-delays.com practice on management of higher education, research and doctoral education. 6th December. More details here.
My installation of Let This Be A Sign as part of the FotoDoks exhibition in the Münchner Stadtmuseum museum in Munich, Germany. The exhibition runs until 25th November.
I will be exhibiting work from Let This Be a Sign at the Fotodoks festival in Munich.
This year’s FotoDoks 2012 exhibition will be displayed in the acclaimed from 17 October until 25th November.
The festival brings together the work of fifteen photographers-
Polly BRADEN (GB)
Marcus BRANDT (D)
Edmund CLARK (GB)
Thomas GALLER (CH)
Jocelyn BAIN HOGG (GB)
Kai LÖFFELBEIN (D)
Robin MADDOCK (GB)
Henrik MALMSTRÖM (D)
Dawin MECKEL (D)
Simon NORFOLK (GB)
Dana POPA (GB)
Simon ROBERTS (GB)
Gregor SCHLATTE (A)
Kai WIEDENHÖFER (D)
Mathias ZIEGLER (D)
The theme this year is ACHTUNG?! – respect, control, change. The German word “Achtung“ (attention, or “take care!”, “careful!”) is much more than a command or a warning. Striped off its exclamation mark it stands for thoughtful co-existence or the act of valuing or respecting something or someone.
In the context of this year’s exhibition and award, the title ACHTUNG?! – respect, control, change demands answers to the predicaments that face today’s documentary photography and its protagonists: What responsibility does a photographer have for both, the medium and his or her subjects? Which topics deserve a photographer’s focus? Who controls pictures and how do pictures control the world?
FotoDoks is an organisation promoting and developing the field of contemporary documentary photography and bodies of work that deal with political and social issues facing the world we are living in.
Photograph © Everton Amaro.
Observadores: Photographers of the British Scene from the 1930’s to now – in on show at Galeria de Arte do Sesi in Sao Paulo about British photography, organised by the British Council and curated by Joao Kulcsar in San Paulo and Martin Caiger-Smith in London.
We English exhibited as part of the 19th edition of the at the Museum Belvédère, Heerenveen, The Netherlands.
This year’s festival, called Terra Cognita, transcends photographic genres to sketch a picture of the relation between man and nature, on the basis of the work of 115 photographers. Terra Cognita is about the experience of nature, in all its manifestations, from tactile, living and breathing nature, to the nature of our thoughts, its dreamed and fantastic incarnations. Although man sometimes seems to be hardly present in the photos, he has unmistakably left his stamp on it. In all this work the landscape reveals the emotions and thoughts that the photographer has projected on it. The diverse and complex ways in which we see and experience landscapes – the nature in our genes and our minds – echo through the breadth of Terra Cognita. From timeless black and white to conceptual or computer generated, the blending of genres is total. Like nature itself, this is an exhibition not just to be seen, but to be experienced.