I will be exhibiting a selection of work from Let This Be A Sign, including the Credit Crunch Lexicon, in this group show opening at the Northern Gallery of Contemporary Art in June 2014.
Show Me The Money: The Image of Finance, 1700 to present asks what does ‘the market’ look like? What does money really stand for? How can the abstractions of high finance be made visible? The exhibition charts how the financial world has been imagined in art, illustration, photography and other visual media over the last three centuries in Britain and the United States. The project asks how artists have grappled with the increasingly intangible and self-referential nature of money and finance, from the South Sea Bubble of the eighteenth century to the global financial crisis of 2008. It features works ranging from satirical eighteenth-century prints by William Hogarth and James Gillray to newly commissioned works by artists Goldin+Senneby, Cornford & Cross, Immo Klink, Simon Roberts, and James O Jenkins, as well as the first UK exhibition of international artists such as Molly Crabapple. The exhibition includes an array of media: paintings, prints, photographs, videos, artefacts, and instruments of financial exchange both ‘real’ and imagined. Indeed the exhibition also charts the development of an array of financial visualisations, including stock tickers and charts, newspaper illustrations, bank adverts, and electronic trading systems.
Photograph: Brokers with hands on their faces, 2007 – 2011 (Digital collage) © Simon Roberts
Show Me The Money demonstrates that the visual culture of finance has not merely reflected prevailing attitudes to money and banking, but has been crucial in forging – and at times critiquing – the very idea of ‘the market’. The exhibition tours three distinct regions of the country, beginning at Northern Gallery for Contemporary Art, close to the HQ of Northern Rock, where in an English context the financial crisis of 2008 began. It is then shown across two sites simultaneously: John Hansard Gallery, part of Southampton University, and Chawton House Library in Hampshire, which was owned by Jane Austen’s brother, himself implicated in a financial scandal of the 1810s. In 2015 the show continues to the People’s History Museum in Manchester, a national museum that houses material history from the union and co-operative movements.
The exhibition is accompanied by a fully illustrated 164pp book, published by Manchester University Press and edited by Peter Knight, Nicky Marsh and Paul Crosthwaite. The publication provides a wider set of contexts – professional, intellectual, political, literary and artistic – that inform the exhibition. The authors examine the history and politics of representations of finance through five essays by academic experts and curators alongside five commissioned contributions by notable public commentators on finance and art. The writers include Andy Haldane, the Executive Director of Financial Stability at the Bank of England, who asks us “What do you think about when you think about a ‘market’?”
Initiated with Dr Peter Knight, Manchester University, Professor Nicky Marsh, Southampton University, Dr Paul Crosthwaite, Edinburgh University, and Dr Isabella Streffen, Manchester University with NGCA.
The website for the exhibition is now live. Find out more about the themes and content of the show by following…http://www.imageoffinance.com/
Chawton House Library in Hampshire, Friday 19th September until Saturday 22nd November 2014
John Hansard Gallery in Southampton, from Tuesday 7th October until Saturday 22nd November 2014
People’s History Museum in Manchester, from Saturday 11th July 2015 until Saturday 28th February 2016
The National Photography Symposium 2014 takes place in Birmingham from 12 June 2014, 14:00 – 14 June 2014, 17:00, during which I’ll be giving a keynote talk on Thursday 12th.
You can view details along with the full schedule of events & talks here.
Photograph: Pierdom print exhibited at Flowers Gallery, September 2013
To coincide with the 200th anniversary of the construction of Ryde Pier (the first British pleasure pier), I will be exhibiting a series of framed photographic prints between July – September 2014 in venues around the coastline of Britain, creating a simultaneous national exhibition. Each institution will be exhibiting prints from the series, including their local pier.
Venues confirmed so far are:
Aberystwyth Arts Centre
Brighton Museum & Art Gallery
Burgh Hall, Dunoon
Grundy Art Gallery, Blackpool
Kirkleatham Museum, Redcar
Quay Arts, Isle of Wight
Southampton City Art Gallery
Teign Heritage Centre, Teignmouth
The Conservatoire Blackheath, London
The Photographers Gallery, London
Towner Gallery, Eastbourne
Turner Contemporary, Margate
Dates for each venue will be released shortly.
The aim of this extended tour is to generate a national conversation to highlight the historical significance of these architectural structures, enforcing the idea of Britain’s pleasure piers as cultural landmarks, tracing history and national identity. There will be an active participatory project running alongside the exhibitions where individuals will be encouraged to share their ‘pier stories’ and photographs.
For more information, please download a pdf here.
The tour is being organised in collaboration with Flowers Gallery and supported by Arts Council England.
This survey exhibition at the Multimedia Art Museum in Moscow presents the work of British photographer Simon Roberts (b. 1974, UK) since 2005. After completing a substantial project in Russia, entitled Motherland, Roberts brought his attention closer to home.
With renewed interest in the relationship of individuals and groups to the landscape, Roberts focused on social practices, customs, cultural landmarks, economic and political scenarios that define his ‘small island’ as uniquely British. With echoes of ‘history painting’, these photographs point to contemporary issues specific to Britain, but equally engage with universal ideas of the human relationship to landscape, of identity and belonging.
Landscape Studies of a Small Island is presented as part of the UK Russia Year of Culture in 2014.
The exhibition is curated by Karen McQuaid from The Photographers’ Gallery, London.
More information here: http://www.mamm-mdf.ru/en/exhibitions/landscape-studies-of-a-small-island/
More installation shots from the show can be viewed here.
An essay written by Martin Caiger-Smith for the exhibition catalogue can be downloaded here.
I will be giving a talk as part of my Landscapes Studies of a Small Island exhibition at MAMM, Moscow. Please contact the Museum for more details – http://www.mamm-mdf.ru/en/.
Tuesday 15 April 2014, from 19.00
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We are pleased to announce that renowned British photographer and Photofusion Patron Simon Roberts will be giving an artist talk to Photofusion Members.
More information about
the talk here.
I’m running a 3-day photography workshop in Venice, Italy from 4-6 July 2014 in collaboration with Landscape Stories. To find out more, please download the pdf here.
Full details of Art14 fair can be found on their website here.
In partnership with Crane Kalman Brighton is on show at the Brighton Dome:
Polyarnye Nochi (or Polar Nights) is part of acclaimed British photographer Simon Roberts’ first major project, Motherland, an exploration of contemporary Russian society. This series focuses on winter in northern Russia, finding a region shrouded in darkness nearly 24 hours a day, a phenomenon known as Polyarnye Nochi (Polar Nights).
You can see images from the series here.
Opening times:
Wed 8 Jan – Closed
Thu 9 Jan – Closed
Fri 10 Jan -10am – 4pm
Sat 11 Jan – 10am – 5pm
Sun 12 Jan – 10am – 12pm
Mon 13 Jan – 10am – 5pm
Tue 14 Jan – 10am – 3pm
Wed 15 Jan – 10am – 5pm
Thu 16 Jan – Closed
Fri 17 Jan – 10am – 5pm
Sat 18 Jan – 1pm – 5pm
Sun 19 Jan – 10am -5pm
Mon 20 Jan – 10am – 5pm
Tue 21 Jan – 10am – 5pm
Wed 22 Jan – 12pm – 5pm
Thu 23 Jan – 10am – 5pm
Fri 24 Jan – 10am – 5pm
Sat 25 Jan – 1pm – 5pm
Sun 26 Jan – 10am – 5pm
Mon 27 Jan – Closed
Tue 28 Jan – Closed
Wed 29 Jan – Closed
Thu 30 Jan – 10am – 5pm
Friday 31 10am – 5pm
February
Sat 1 Feb – 1pm – 5pm
Sun 2 Feb- Closed
Mon 3 Feb – 10am – 5pm
Tue 4 Feb – 10am – 5pm
Wed 5 Feb – Closed
Thu 6 Feb – 10am – 5pm
Fri 7 Feb – 10am – 5pm
Sat 8 Feb – 1pm – 5pm
Sun 9 Feb – 10am – 12pm
Mon 10 Feb – 10am – 5pm
Flowers Gallery will be exhibiting some work from Pierdom at the London Art Fair.
The 26th edition takes place at the Business Design Centre, Islington, from 15 – 19 January 2014.
Visit stand number 35.
Opening Times
Tues 14 January*
VIP Preview: 3pm – 6pm
Preview
Evening: 6pm – 9pm
Wed 15 January
11am – 9pm
Thurs 16 January
11am – 9pm
Friday 17 January
11am – 7pm
Sat 18 January
10am – 7pm
Sun 19 January
10am – 5pm