As part of Photo Shanghai, Flowers Gallery will be showing prints from Pierdom alongside work by Boomoon, Edward Burtynsky, Nadav Kander and Jason Larkin.

Stand C02

Photo Shanghai is the first international art fair dedicated to photography in China.

5-7 September 2014

 

Pierdom will be exhibited as part of this year’s BredaPhoto festival in the Netherlands, the theme of which is Songs from the Heart.

participating artists
Todd Hido, Hans Wilschut, Andre Bush, Gregory Halpern, Jan Rosseel, Ola  Lanko, Bert Danckaert , Martijn van de Griendt, Koen Hauser, Karin Borghouts, Simon Roberts, Eelco Brand, An-Sofie Kesteleyn, Debby Huysmans, Wayne Lawrence, Wiesje Peels, Alexander Gronsky, Andrej Glusgold, Mariska van Zutven, Kris Vervaeke, Jakub Karwowski, Jos Jansen, Bryan Schutmaat, Joshua Lutz, Sven Fritz, Stephanie Roland, Tom Hunter.

curators
Reinout van den Bergh – [email protected]
Jan Schaerlackens – [email protected]
Geert van Eyck – [email protected]

To find out more, visit: http://www.bredaphoto.nl/

Songs from the Heart is all about New Romanticism. The photographers whose works are on display during BredaPhoto 2014 will deal with the following topics:

I. Romanticism as a historic and artistic movement

The romantic heritage is inherent in our way of thinking and watching. Are photographers, either in their choice of topics or artistic styles, indebted to their romantic heritage?

II. The New Romanticism

The manifestation of these romantic ideals changes constantly. But where does our fascination with, for instance, ‘the authentic’ or ‘the unique’ come from? Is it an act of escapism? A form of social resistance? Or is it maybe just a thoroughly human characteristic?

III. Real versus fake?

Why does the word ‘romantic’ have such a negative connotation? Is there a downside to our romantic inheritance? Does our striving for authenticity not simply result in greater conformism?  Does our admiration of the natural world and its overwhelming power at the same time result in sentimentalism and escapism; when does our fascination for the past turn into uninspired kitsch?

My work is included in this summer group show at Print Sales, The Photographers’ Gallery, alongside prints by John Hinde, Nicholas Hughes, Mike Perry and Luke Stephenson.

More information here.

I will be exhibiting a selection of work from Let This Be A Sign, including the Credit Crunch Lexicon, in this group show opening at the Northern Gallery of Contemporary Art in June 2014.

Show Me The Money: The Image of Finance, 1700 to present asks what does ‘the market’ look like? What does money really stand for? How can the abstractions of high finance be made visible? The exhibition charts how the financial world has been imagined in art, illustration, photography and other visual media over the last three centuries in Britain and the United States. The project asks how artists have grappled with the increasingly intangible and self-referential nature of money and finance, from the South Sea Bubble of the eighteenth century to the global financial crisis of 2008. It features works ranging from satirical eighteenth-century prints by William Hogarth and James Gillray to newly commissioned works by artists Goldin+Senneby, Cornford & Cross, Immo Klink, Simon Roberts, and James O Jenkins, as well as the first UK exhibition of international artists such as Molly Crabapple. The exhibition includes an array of media: paintings, prints, photographs, videos, artefacts, and instruments of financial exchange both ‘real’ and imagined. Indeed the exhibition also charts the development of an array of financial visualisations, including stock tickers and charts, newspaper illustrations, bank adverts, and electronic trading systems.

StockBrokers004

Photograph: Brokers with hands on their faces, 2007 –  2011 (Digital collage) © Simon Roberts

Show Me The Money demonstrates that the visual culture of finance has not merely reflected prevailing attitudes to money and banking, but has been crucial in forging – and at times critiquing – the very idea of ‘the market’. The exhibition tours three distinct regions of the country, beginning at Northern Gallery for Contemporary Art, close to the HQ of Northern Rock, where in an English context the financial crisis of 2008 began. It is then shown across two sites simultaneously: John Hansard Gallery, part of Southampton University, and Chawton House Library in Hampshire, which was owned by Jane Austen’s brother, himself implicated in a financial scandal of the 1810s. In 2015 the show continues to the People’s History Museum in Manchester, a national museum that houses material history from the union and co-operative movements.

The exhibition is accompanied by a fully illustrated 164pp book, published by Manchester University Press and edited by Peter Knight, Nicky Marsh and Paul Crosthwaite. The publication provides a wider set of contexts – professional, intellectual, political, literary and artistic – that inform the exhibition. The authors examine the history and politics of representations of finance through five essays by academic experts and curators alongside five commissioned contributions by notable public commentators on finance and art. The writers include Andy Haldane, the Executive Director of Financial Stability at the Bank of England, who asks us “What do you think about when you think about a ‘market’?”

Hogarth-SMTM

Initiated with Dr Peter Knight, Manchester University, Professor Nicky Marsh, Southampton University, Dr Paul Crosthwaite, Edinburgh University, and Dr Isabella Streffen, Manchester University with NGCA.

The website for the exhibition is now live. Find out more about the themes and content of the show by following…http://www.imageoffinance.com/

 

TOUR DATES

Chawton House Library in Hampshire, Friday 19th September until Saturday 22nd November 2014

John Hansard Gallery in Southampton, from Tuesday 7th October until Saturday 22nd November 2014

People’s History Museum in Manchester, from Saturday 11th July 2015 until Saturday 28th February 2016

 

Photograph: Pierdom print exhibited at Flowers Gallery, September 2013

To coincide with the 200th anniversary of the construction of Ryde Pier (the first British pleasure pier), I will be exhibiting a series of framed photographic prints between July – September 2014 in venues around the coastline of Britain, creating a simultaneous national exhibition. Each institution will be exhibiting prints from the series, including their local pier.

Venues confirmed so far are:

Aberystwyth Arts Centre
Brighton Museum & Art Gallery
Burgh Hall, Dunoon
Grundy Art Gallery, Blackpool
Kirkleatham Museum, Redcar
Quay Arts, Isle of Wight
Southampton City Art Gallery
Teign Heritage Centre, Teignmouth
The Conservatoire Blackheath, London
The Photographers Gallery, London
Towner Gallery, Eastbourne
Turner Contemporary, Margate

Dates for each venue will be released shortly.

The aim of this extended tour is to generate a national conversation to highlight the historical significance of these architectural structures, enforcing the idea of Britain’s pleasure piers as cultural landmarks, tracing history and national identity. There will be an active participatory project running alongside the exhibitions where individuals will be encouraged to share their ‘pier stories’ and photographs.

For more information, please download a pdf here.

 

The tour is being organised in collaboration with Flowers Gallery and supported by Arts Council England.

Print

This survey exhibition at the Multimedia Art Museum in Moscow presents the work of British photographer Simon Roberts (b. 1974, UK) since 2005. After completing a substantial project in Russia, entitled Motherland, Roberts brought his attention closer to home.

MAMMinstall2

With renewed interest in the relationship of individuals and groups to the landscape, Roberts focused on social practices, customs, cultural landmarks, economic and political scenarios that define his ‘small island’ as uniquely British. With echoes of ‘history painting’, these photographs point to contemporary issues specific to Britain, but equally engage with universal ideas of the human relationship to landscape, of identity and belonging.

Landscape Studies of a Small Island is presented as part of the UK Russia Year of Culture in 2014.

The exhibition is curated by Karen McQuaid from The Photographers’ Gallery, London.

More information here: http://www.mamm-mdf.ru/en/exhibitions/landscape-studies-of-a-small-island/

MAMMinstall

More installation shots from the show can be viewed here.

An essay written by Martin Caiger-Smith for the exhibition catalogue can be downloaded here.

In partnership with Crane Kalman Brighton is on show at the Brighton Dome:

Polar Nights

Polyarnye Nochi (or Polar Nights) is part of acclaimed British photographer Simon Roberts’ first major project, Motherland, an exploration of contemporary Russian society. This series focuses on winter in northern Russia, finding a region shrouded in darkness nearly 24 hours a day, a phenomenon known as Polyarnye Nochi (Polar Nights).

You can see images from the series here.

Opening times:

Wed 8 Jan – Closed
Thu 9 Jan – Closed
Fri 10 Jan -10am – 4pm
Sat 11 Jan – 10am – 5pm
Sun 12 Jan – 10am – 12pm
Mon 13 Jan – 10am – 5pm
Tue 14 Jan – 10am – 3pm
Wed 15 Jan – 10am – 5pm
Thu 16 Jan – Closed
Fri 17 Jan – 10am – 5pm
Sat 18 Jan – 1pm – 5pm
Sun 19 Jan – 10am -5pm
Mon 20 Jan – 10am – 5pm
Tue 21 Jan – 10am – 5pm
Wed 22 Jan – 12pm – 5pm
Thu 23 Jan – 10am – 5pm
Fri 24 Jan – 10am – 5pm
Sat 25 Jan – 1pm – 5pm
Sun 26 Jan – 10am – 5pm
Mon 27 Jan – Closed
Tue 28 Jan – Closed
Wed 29 Jan – Closed
Thu 30 Jan – 10am – 5pm
Friday 31 10am – 5pm

February

Sat 1 Feb – 1pm – 5pm
Sun 2 Feb- Closed
Mon 3 Feb – 10am – 5pm
Tue 4 Feb – 10am – 5pm
Wed 5 Feb – Closed
Thu 6 Feb – 10am – 5pm
Fri 7 Feb – 10am – 5pm
Sat 8 Feb – 1pm – 5pm
Sun 9 Feb – 10am – 12pm
Mon 10 Feb – 10am – 5pm

Image: Rivers of Flowers, 2013 from the series Italian Views © Simon Roberts

Flowers are delighted to announce that the annual Small is Beautiful exhibition, which has run for more than thirty years, will take place at their larger Kingsland Road gallery this year. Consequently it is the gallery’s most extensive yet, with over 170 artists submitting works.

The works, which must be no bigger than a tiny 9 by 7 inches / 22 by 17cm in size, are the creations of many well-known
artists, set alongside emerging artists and selected recent graduates. Established artists participating are, amongst
others; Anthony Frost, Maggi Hambling, Nicola Hicks, Patrick Hughes, Nadav Kander, Tom Phillips and Bryan Kneale.
Confined only by scale, with a theme to inspire them rather than dictate the final form of their submitted artworks,
many of the artists involved find this both a liberating and challenging exhibition, creating pieces utterly separate from
their normal practices.
I have a piece from a new series I’m working on based around original postcards sent from Italy (above). You can view all the work in the show here.

Please join us on Thursday, November 7, 6pm—8pm, for the artist reception celebrating Simon Roberts” third solo exhibition online casino at the KLOMPCHING GALLERY.

FOR FURTHER INFORMATION AND VIEWING APPOINTMENTS, CONTACT:
DEBRA KLOMP CHING T: 1 212 796 2070 E: [email protected]

Simon Roberts | Pierdom
Exhibition from November 2 2013 to January 11 2014

Please join us for an Opening Reception on Friday, November 1 2013 at 6pm.

As in previous work, notably “Motherland” (2007) and “We English” (2009), British photographer Simon Roberts examines cultural-historical questions of national identity and the attachment of people to their land through his large format landscape photographs. “Perhaps the most promising British image maker in years”, as German Photo Magazine called him in 2010, traveled across England over the last years, visiting coastal towns and producing a series of photographs of the pleasure piers built since Victorian times.