This group exhibition featuring a series of my works from Let This Be A Sign, is now touring. The first venue is John Hansard Gallery in Southampton.

 

Show Me The Money: The Image of Finance 1700 to the Present poses the question, what does money really stand for, and how can ‘the market’ and the world of high finance be made visible? The exhibition charts how the financial world has been imagined in art, illustration, photography and other visual media over the last three centuries in Britain and the United States, and asks how artists have tussled with the intangible nature of money, from the South Sea Bubble of the eighteenth century to the global financial crisis of 2008.
 

The exhibition features works ranging from satirical eighteenth-century prints by William Hogarth, to newly commissioned pieces by a range of contemporary artists in an array of media: paintings, prints, photographs and videos. Here on the south coast, the exhibition will be shown simultaneously across the John Hansard Gallery and Chawton House Library; the latter once owned by Jane Austen’s brother, himself implicated in a financial scandal of the 1810s.

It showcases many works created since the 2008 financial crash, including Molly Crabapple’s surrealist oil painting Debt and Her Debtors (2012-13), through to Goldin+Senneby’s installation Headless (2008), detailing the search for an offshore company that forms the basis for a ghost-written novel commissioned by the artists. There is a new version of Simon Roberts’ Credit Crunch Lexicon (2012), a wall-based text work that alphabetically lists words and phrases collated from political speeches, Bank of England papers, newspaper headlines and economic reports as a vehicle for political comment.

 

More information here.

I will be exhibiting a selection of work from Let This Be A Sign, including the Credit Crunch Lexicon, in this group show opening at the Northern Gallery of Contemporary Art in June 2014.

Show Me The Money: The Image of Finance, 1700 to present asks what does ‘the market’ look like? What does money really stand for? How can the abstractions of high finance be made visible? The exhibition charts how the financial world has been imagined in art, illustration, photography and other visual media over the last three centuries in Britain and the United States. The project asks how artists have grappled with the increasingly intangible and self-referential nature of money and finance, from the South Sea Bubble of the eighteenth century to the global financial crisis of 2008. It features works ranging from satirical eighteenth-century prints by William Hogarth and James Gillray to newly commissioned works by artists Goldin+Senneby, Cornford & Cross, Immo Klink, Simon Roberts, and James O Jenkins, as well as the first UK exhibition of international artists such as Molly Crabapple. The exhibition includes an array of media: paintings, prints, photographs, videos, artefacts, and instruments of financial exchange both ‘real’ and imagined. Indeed the exhibition also charts the development of an array of financial visualisations, including stock tickers and charts, newspaper illustrations, bank adverts, and electronic trading systems.

StockBrokers004

Photograph: Brokers with hands on their faces, 2007 –  2011 (Digital collage) © Simon Roberts

Show Me The Money demonstrates that the visual culture of finance has not merely reflected prevailing attitudes to money and banking, but has been crucial in forging – and at times critiquing – the very idea of ‘the market’. The exhibition tours three distinct regions of the country, beginning at Northern Gallery for Contemporary Art, close to the HQ of Northern Rock, where in an English context the financial crisis of 2008 began. It is then shown across two sites simultaneously: John Hansard Gallery, part of Southampton University, and Chawton House Library in Hampshire, which was owned by Jane Austen’s brother, himself implicated in a financial scandal of the 1810s. In 2015 the show continues to the People’s History Museum in Manchester, a national museum that houses material history from the union and co-operative movements.

The exhibition is accompanied by a fully illustrated 164pp book, published by Manchester University Press and edited by Peter Knight, Nicky Marsh and Paul Crosthwaite. The publication provides a wider set of contexts – professional, intellectual, political, literary and artistic – that inform the exhibition. The authors examine the history and politics of representations of finance through five essays by academic experts and curators alongside five commissioned contributions by notable public commentators on finance and art. The writers include Andy Haldane, the Executive Director of Financial Stability at the Bank of England, who asks us “What do you think about when you think about a ‘market’?”

Hogarth-SMTM

Initiated with Dr Peter Knight, Manchester University, Professor Nicky Marsh, Southampton University, Dr Paul Crosthwaite, Edinburgh University, and Dr Isabella Streffen, Manchester University with NGCA.

The website for the exhibition is now live. Find out more about the themes and content of the show by following…http://www.imageoffinance.com/

 

TOUR DATES

Chawton House Library in Hampshire, Friday 19th September until Saturday 22nd November 2014

John Hansard Gallery in Southampton, from Tuesday 7th October until Saturday 22nd November 2014

People’s History Museum in Manchester, from Saturday 11th July 2015 until Saturday 28th February 2016

 

Some new work I’ve made in Sunderland is featured in this group show, staged jointly between Northern Gallery for Contemporary Art and Sunderland Museum and Winter Gardens.

Exhibition dates: NGCA: 28 Sept – 23 Nov 2013

Sunderland Museum and Winter Gardens: 19 Oct 2013 – 23 Feb 2014.

The exhibition is part of ‘The Social: Encountering Photography’ – a month of photography in Sunderland and North-East England.

Tunstall Hills, Sunderland, July 2013 © Simon Roberts

Artists are: Craig Ames, Ulf Aminde, Haley Austin, Natasha Caruana, Nick Crowe & Ian Rawlinson, Melanie Friend, Gilbert & George, Julian Germain, Paul Graham, Chris Harrison, Nigel Henderson, Jeremy Hutchison, Yee I-Lann, Bob Jardine, James O Jenkins, Linder, Melanie Manchot, Daniel Meadows, Gustav Metzger, Tim Mitchell, Martin Parr, Reynold Reynolds, Reynold Reynolds with Patrick Jolley, Simon Roberts, Thiago Rocha Pitta, Daniele Sambo, Jo Spence, John Stezaker, Homer Sykes, Stuart Whipps

‘YOU ARE THE COMPANY IN WHICH YOU KEEP’ reveals the diverse ways in which photographers and artists using lens-based media have created images that map out our new social networks – observing the patterns of which structure our social existence, or forecasting what the twenty-first century has yet to bring. Many of the artists might be described as working in anthropological or ethnographic ways, observing how our experience of the world is mediated through camera lens, and asking how far photographic images structure our imagination. They ask: in the twenty-first century, are images the means by which we are socialised, and the means by which we can know ourselves? Do the images that we consume and internalise become the imaginative materials that we are made of?

The exhibition spans the two neighbouring venues of Northern Gallery for Contemporary Art and Sunderland Museum & Winter Gardens, with each examining separate aspects of how photographic images now suffuse every aspect of our lives. At NGCA, more than 20 artists investigate how the neoliberal economics and continuing military muscle of so-called post-industrial countries determine how far the modern world is being shaped.