We English (Chris Boot, 2009) is featured in the third and final volume of Phaidon’s acclaimed Photobook series, described as ‘the most important contribution to the field since modern histories of photography began to appear in the early 20th century’ (photo-eye) by Martin Parr and Gerry Badger.

See more here.

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ABOUT THE BOOK

Following the success of volumes I and II of The Photobook: A History, this third volume brings the history of the photobook up to date, with specific exploration of postwar and contemporary examples. It covers key themes including the globalization of photographic culture, the personalization of photobooks, the self-publishing boom and the new ‘layered’ photobook approach.

While the history of photographs is a well-established canon, less critical attention has been directed at the phenomenon of the photobook, which for many photographers is perhaps the most significant vehicle for the display of their work and the communication of their vision to a mass audience. Volume III, co-edited by Martin Parr and Gerry Badger, expands this study and history of the photobook further. It explores the symbiotic relationship between the contemporary propaganda book vs. the protest photobook, sex and youth culture, photographers examining their own environments and the impact of the Internet and social media on the nature of the photobook, among much else.

The book is divided into 9 thematic chapters, each featuring general introductory text providing background information and highlighting the dominant political and artistic influences on the photobook in the period, followed by more detailed discussion of the individual photobooks. The introductory chapter texts are followed by spreads and images from over 200 books, which provide the central means of telling the history of the photobook. Chosen by Parr and Badger, these illustrations show the most artistically and culturally important photobooks in three dimensions, with the cover or jacket and a selection of spreads from the book shown.

Phaidon, 2014
Hardcover
11 3/8 x 9 7/8 inches (290 x 250 mm)
320 pages

900 color illustrations

Only in England: Photographs by Tony Ray-Jones and Martin Parr
21 September 2013 – 16 March 2014

The first major exhibition at the new Media Space in London will be Only in England: Photographs by Tony Ray-Jones and Martin Parr, drawing from the Tony Ray-Jones archive at the National Media Museum. The exhibition is curated by Greg Hobson, curator of Photographs at the National Media Museum, and Martin Parr has been invited to select works from the Tony Ray-Jones archives.

Find out more about the exhibition here: http://www.sciencemuseum.org.uk/visitmuseum/plan_your_visit/exhibitions/only_in_england.aspx

About Media Space-

Opening in September 2013, Media Space will showcase the National Photography Collection held by the National Media Museum through a series of major exhibitions. A collaboration between the Science Museum and the National Media Museum, Media Space will also invite photographers, artists and the creative industries to respond to the wider collections of the Science Museum Group to explore visual media, technology and science.

Media Space will be based on the second floor of the Science Museum. It is a £4 million capital project and will include a 500 m² gallery for major exhibitions, a Virgin Media Studio for installations, events and creative workshops, and a café/bar. Hannah Redler was announced as Head of Media Space and Science Museum Arts Programme in 2012.