Image: Christmas Lights, Lingfield, Surrey © Simon Roberts, 2010
My photograph from the feature in today’s Observer ‘Artists Christmas in a Picture‘ where several photographers, sculptors and painters reflect on the festive season – and how they plan to spend it.
Only in England: Photographs by Tony Ray-Jones and Martin Parr
21 September 2013 – 16 March 2014
The first major exhibition at the new Media Space in London will be Only in England: Photographs by Tony Ray-Jones and Martin Parr, drawing from the Tony Ray-Jones archive at the National Media Museum. The exhibition is curated by Greg Hobson, curator of Photographs at the National Media Museum, and Martin Parr has been invited to select works from the Tony Ray-Jones archives.
Find out more about the exhibition here: http://www.sciencemuseum.org.uk/visitmuseum/plan_your_visit/exhibitions/only_in_england.aspx
About Media Space-
Opening in September 2013, Media Space will showcase the National Photography Collection held by the National Media Museum through a series of major exhibitions. A collaboration between the Science Museum and the National Media Museum, Media Space will also invite photographers, artists and the creative industries to respond to the wider collections of the Science Museum Group to explore visual media, technology and science.
Media Space will be based on the second floor of the Science Museum. It is a £4 million capital project and will include a 500 m² gallery for major exhibitions, a Virgin Media Studio for installations, events and creative workshops, and a café/bar. Hannah Redler was announced as Head of Media Space and Science Museum Arts Programme in 2012.
Mary Jane Opie, Self portrait as a huntsman, 2005 (100 x 150 cm)
THE ENGLISH WAY Curated by Craig Patrick Edwards and Derek Curtis
The Aubin Gallery is pleased to present: The English Way, an exhibition uniting six artists – Claire Clutterbuck, Dmitri Galitzine, Mary Jane Opie, Simon Roberts, Andy Sewell and Kraig Wilson – all with an interest in our national identity, and the English countryside – who are questioning what it means to be English in the 21st century.
More information about the opening night here.
The United Kingdom is slowly dissolving, with both the impending Scottish referendum on independence – and our faltering position within Europe – causing national discomfort. The emergence of the coalition government is symptomatic of the fact that trusted left-right structures; represented by Conservative and Labour politicians, no longer seem relevant.
Where does this political dilemma leave our collective sense of English national identity? This theme of political uncertainty is captured in award-winning photographer Simon Roberts’ 2011 three-channel video: Landscapes of Innocence & Experience – to be shown in London for journey across the UK during the official four-week campaigning period for the 2010 general election.
Another aspect of our national identity lies in the backdrop to our lives; our landscape. For city-dwellers, the countryside represents quintessential Britishness – but this is primarily constructed through imagery – in fine art, film, television or photography. Consequently, real rural England remains something of a mystery…
Andy Sewell, described by Martin Parr as “a photographer likely to make his mark on the future of photography”, explores stereotypes associated with the countryside. Enamoured with quaintly-named villages – Sewell searches a map to find poetic place names such as: ‘Cold Christmas’, ‘Nasty’, ‘Little Gidding’, ‘Good Easter’ – then travels to these destinations and photographs what he finds there.
The English Way will offer six varying interpretations of England, by six artists, who will each reveal what it means – to them – to be English.
Sandwell St George’s Day Parade, Birmingham, 2010.
Couple kissing while a
friend waits. Telford, England, 2008.